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"The Old Internet" is an ongoing performance series of brief appearances and explorative sketches that playfully entangle the audience (online or offline) in situations reflecting on online social-media, or invite them into spontaneous narratives based on structural or historical components of the Internet.

There have been five performances/appearances so far:

The Old versus the New Internet (2009)
Live Appearance during the opening of "Levels of Undo" at Location One Gallery, September 9, 2009.
The Old Internet appears during the opening of the show and tries to make new
friends while connecting to their hair...

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Come Sit on The Old Internet's Lap! (2010)
Live Performance during "studios on view"*, April 24, 2010
The Old Internet invites visitors onto its lap to listen publicly to their secret
wishes...

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Follow the Old Internet's Plan (2010)
Live Performance at Chashams Harlem Studios Gallery**, May 6, 2010
The Old Internet follows the stock quote percentage of LVLT, ATT, AOL etc. (=original
Backbone's companies represented by rubber bands attached to its belt!) While
rearranging their structure accordigly it gets quite entangeld in its market trends...

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The Old Internet.... IS the Electronic Man (2011)
Photographic appearance at "The Electronic Man" Project, MACRO Museum Rome, June 23-26, 2011
The Old Internet celebrates Marshall McLuhans 100th birthday by connecting from a sunny balcony in NYC - via its digital tongue - to "The Electronic Man" Project by Salvatore Iaconese and Oriana Persico in Rome. There, The Old Internet's gestures are getting re-enacted in different ways...

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The Old Internet Slide Show (2012)
Online performance at the Low Lives Festival, April 27-28, 2012.
The Old Internet reminisced on its infancy and youth and recited
statements from the early net days. Each declaimed quote followed a ride
down an infant's slide. To be efficient and deliver as many statements/packets
as possible in 5 minutes the Old Internet got quite a work-out...

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*reocurring event at artist's studio     
**The performance took place within the exhibition "Stitched Topographies" by Christine Gedeon.